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Creative Process interviews

Katie chapel (  https://www.katiechappell.com/  ) … Here’s Bristol. Women in Science - Newcastle University More work on Instagram:  https://www.instagram.com/katiedraws/ 1. Have you always been interested in Illustration or did you start somewhere else ? i know you said you did animation is that what you originally wanted to do? Yes I have always been interested in illustration. As a child I would sit and draw for hours on end. I studied animation by accident! After i'd signed up to do the course they renamed from 'illustration and animation' to just 'animation'. By that point it was too late to switch courses but I learned a lot and would not change a thing. 2. how do yo find the balance of tutoring, running workshops and making work? apart from Black coffee, power naps and a hate of offices where do you find the balance and how does being a tutor effect your work? does being around students inspire you or do you prefer to work alone?
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Painting,Mixed media & Graded unit Artists

Alayne Spafford https://www.alaynespafford.com/ Insta: @alayne_spafford Working in different mediums and work in series, Spafford's large canvases begin with collage. She adds the collage elements with historical, personal or things that exist or are used or enjoyed for only a short time.She sometimes uses things like old newspaper, vintage wall paper, old crochet work done by her mother and other collected items. After the collage she adds a quick wash of random colors, with layers built up in oil, using a balance of colour that forms organically.My favorite of her works is her sketchbook work as well as her smaller raw edged canvases.These are looser and incorporate more mixed media like pen, spray paint and pencil. Her in sketch books start with things that inspire her. She sketches and removes things stuck down in old sketch books. These leave fragments of where the glue once was, she then uses These fragments as a starting point for new studies. 

Essay

In this report I want to discuss the concepts of art and gender, I will look at different artists that make work that sparks thought and conversation about gender as we know it now, and as we have in the past. Gender in art has always been pushed to the foreground, male and female figures have often been used in art. One good example of gender representation is the Sleeping Venus by Giorgione, made in 1510 oil on canvas.  This is a depiction of a female figure in a symbolic and conceptual perspective, representing feminine fertility. At first this work looked a bit strange to me. I thought, initially, that the combination of a female nude and a countryside landscape was very bizarre. The foreground and background look very unusual as well, the sleeping Venus looks like she was painted in a studio with soft lighting and it looks like she was almost collaged onto a painting of a countryside I also noticed that Giorgione placed the Venus across the whole width of the paint

Developmental and Ceramics Evaluation.

This was a unit i struggled with a lot. The main reason i struggled was i got to excited about making that i almost forgot about the developmental drawing and planning side of the work. Which although i feel is a mistake that i shouldn't be making at this level, i do think on some level it shows the base line of enjoyment in the craft. I dont think that is something to forget. As i decided to link my ceramics and developmental units together i started working in my sketch book along side the blog i had written before. After experimenting with slabbing, coiling, pinching, glazing and stenciling i had made the decision to work with the theme of the sea shore. I loved the idea, at the time, of working around the theme of water.I started by looking at Japanese waves as a print. Using this as a starting point i decided to experiment along the way, i made a coil pot and used decorative slip over the top of it. I then carved into the slip to create the wave. I then painted